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Dichroic Filter vs Coloured Glass: Which Belongs in Your Projection Path

Color & optics 1 min read

Choosing between a dichroic filter vs colored glass and the next option up is easier once you stop comparing specifications and start comparing jobs.

Set the comparison on the same wall

Set the terms before comparing. For a dichroic filter vs colored glass, that means fixing the throw distance, the image size, the ambient light and the artwork — then asking which option meets all four. Any comparison that holds one of those variables loose will produce the wrong answer.

  • Throw distance and image size, fixed for both options
  • The surface and the ambient light at the working hour
  • The artwork, and whether it contains text or fine detail
  • How each option will be serviced

Light source and output

The light source sets the ceiling on everything else. LED gives instant strike, long life and low heat, which is why it has largely replaced discharge lamps in this class; discharge sources still win on raw output per dollar for very large, long-throw installs. For a dichroic filter vs colored glass in the 30–200 W band, LED is the default and the comparison is about driver quality and thermal design, not the source.

Image quality and artwork freedom

Image freedom is where the options separate most sharply. A gobo-based dichroic filter vs colored glass can put any vector mark, script or halftone image on the wall; a beam-based alternative can only draw lines and abstract patterns. If the job is a logo, a monogram or anything with text, the comparison ends here.

  • Can it render text and fine strokes
  • Does it hold gradients or photographic halftones
  • Gobo or pattern changeover time
  • Maximum artwork resolution the optics can resolve

Side by side

The short version: one option wins on image freedom, the other on raw output or simplicity. Which matters depends entirely on whether you are projecting a mark or an effect. Decide that first and the rest of the table reads itself.

CriterionDichroic Filter vs Colored GlassThe alternative
Text and logo detailFull vector and halftoneLimited or none
Colour controlFilter or coated goboFixed or source-dependent
Servicing accessGobo swap, lens cleanDepends on design
Changeover timeMinutes with a spareVaries widely

Decide on the job, not the datasheet

If you are still unsure, buy one of each and put them on the wall for a week. Differences that look marginal in a table are unmistakable on site, and one dichroic filter vs colored glass is a small price to pay for getting a rollout right.

  1. Does the job need text, a logo or fine detail
  2. Is the surface and ambient light controlled
  3. How often will the artwork change
  4. How will it be serviced in year three

Common questions

How far can a dichroic filter vs colored glass throw?

Expect usable work between 5 and 30 m. What matters is the image width at that distance: the same unit can give a 1 m or a 3 m image depending on the lens, and the smaller one is always the brighter.

What size gobo do I need?

The gobo has to match the holder in your specific dichroic filter vs colored glass, and the image area is smaller than the outer diameter — a 53 mm gobo may only expose 45 mm. Ask for both figures and draw the artwork to the image area, not the outside dimension.

Do I need a professional to install it?

Indoors on an existing supply, no. Outdoors, at height, or where new cabling is needed, yes: the risk on those jobs is the supply and the access rather than the projector itself.

Related products

Need help specifying this?

Send us the throw distance, the image size you need and your artwork — we will recommend the right model and quote within 24 hours.

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